The Limits of Control (2009)
Crime | Drama | Mystery
Movie Release :
19 September 2009 (Japan)
6,3/10 from 13.565 users.
Isaach De Bankolé, Alex Descas, Jean-François Stévenin
USA | Japan
English | Spanish | Arabic | French | Japanese
More Movie Info : http://www.imdb.com/title/tt1135092/
A solitary man who does not speak Spanish is an underground courier. Two men who are both thuggish and philosophical send him to Madrid with cryptic instructions. Over the course of a few days, he receives his instructions from a series of distinctive individuals who provide words of philosophy or of warning and also give him a matchbox with a tiny piece of paper, which he reads then eats, accompanied by espresso served in two cups. He is quiet, self-contained, focused on his work. He has rules. He encounters and at times transmits a violin, diamonds, a guitar, and a map. Is he a smuggler? Merely an independent conduit? Or, something else?
I really enjoy some of Jim Jarmusch’s work (Night on Earth, Mystery Train and Dead Man), and I thought that I would like this film based on the story (or lack thereof) and the soundtrack, however, I was quite disappointed. The film is very slow, and while this can work and be beneficial to the plot, I think that it dragged on far too long in this instance. There was a lot going on visually, which made up for the slowness to a degree, but it seemed as if there was too much time to take it all in. I felt myself noticing the same things over and over in various shots/scenes, because there wasn’t anything else to do besides look, which made me feel like I was staring at the film more so than actually watching it.
As for the soundtrack, I am a fan of some of the artists on it (Boris, Sunn, Earth, etc.), which is part of the reason I wanted to see this film initially. Because these bands can have a very slow, droney sound, I was very interested to see how the mood of the music would work with the tone of the film. I expected the two to compliment each other, but instead, the soundtrack just made everything drag on. Because the film progressed as such a slow pace, I assumed that it was leading up to a grand climax, but the film’s culmination barely stood out.
I will say that I admired the film from a technical aspect, and I enjoyed seeing some familiar faces from Jarmusch’s earlier work, but I don’t think I’ll ever watch it again.
The Limits of Control Trailer
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